It's that time of year.

We apologize for the lack of substantive posts, but we're both swamped with finals this week. So in honor of the mad end-of-the-semester rush, here's an appropriately melodramatic song with "school" in the title:

"The School Bus" - Lalo Schifrin

I'm currently finishing up my final paper, so hopefully Go-Fi will resume regular posting shortly.

Syntho-birds!

Some of you may remember this post from waaaaay back in the history of Go-Fi. While watching MST3K a few nights ago, I noticed some familiar music in the background of this scene from the truly awful "Pod People" -



(It begins at 2:56.)

Yep, that's Georges Rodi's "Morning Song" being ripped by Joel and the Bots. Awesome.

Dillon in Dub.

Phyllis Dillon, although a truly sublime artist in her own right, isn't exactly known as a popular source for versioning. That's part of the reason why I was so blown away when I finally heard Treasure Dub, Volumes 1 and 2. These two albums--which are currently out of print--contain dubs of classic Treasure Isle material from John Holt, Dobby Dobson, the Techniques, and others. Versions of Dillon's work show up on both volumes in characteristically spacy fashion. Dillon's voice--always the focus of her Jamaican hits--appears only sporadically here. Perhaps that's what makes these dubs so striking. We normally take her for granted as a cooing, simmering songstress. The echo bath demonstrates just how powerful (and mesmerizing) her voice is - it's an essential rhythmic element, not just a tool for melody.

I've included both the originals and the dubs in this post. Enjoy:

"Don't Touch Me Tomato" - Phyllis Dillon
"Touch A Dub" - Duke Reid

"The Love That a Woman Should Give to a Man" - Phyllis Dillon
"Love Chant" - Duke Reid

"Midnight Confessions" - Phyllis Dillon
"Midnight Dub" - Duke Reid

Note: These releases are typically credited to Jamaican music impresario (and Treasure Isle boss) Duke Reid, but I'm guessing that he wasn't the one at the mixing board. Anybody know who actually remixed the Treasure Isle stuff?

A Tuneful Turkey Day.

Well, Thanksgiving is nearly here and you know what that means: lots of food. In the spirit of the season, we here at Go-Fi thought we'd share a number of tasty musical morsels with you.

We all begin Turkey Day hungry (gotta save room, after all), so an empty stomach seemed like an obvious place to start:

"Hungry Belly Dub" - King Tubby

Next up is Grandma's mouth-watering dumplin(g)s, served in a bouncy ska dish:

"Dumplins (1960 Version)" - Byron Lee & the Dragonaires

We'll fill our plate with a number of side dishes, including the ubiquitous cranberry sauce - made even sweeter by Shirley Scott's smooth organ:

"Soul Sauce" - Shirley Scott

Don't forget to add some string beans! (They're good for you.) John Patton makes them more palatable if you happen to be a picky eater:

"String Bean" - John Patton

And now the main course - succulent roast duck prepared by Uncle Lee! He's a bit crazy, but a damn good cook:

"Roast Duck" - Lee "Scratch" Perry

And what would a Thanksgiving meal be without dessert? It's always important to end on a sweet note:

"Sugar, Sugar (Featuring Junior Byles)" - Big Youth

Enjoy! Happy Thanksgiving!

Josie vs. Jackson

There have been quite a few twee funk compilations released lately and most of them contain a fair share of glorious Jackson 5 rip-offs. The artists included are kids, of course, so these comps tend to miss out on some of the J5 facsimiles created by adults.

One group that straddles the kiddie/adult line is Josie and the Pussycats. (No, seriously.) In 1970, "they" released a full-length album of excellent pop-soul directed at the animated series' pre-teen audience. The "group" was fronted by the very adult Patrice Holloway, sister of steamy soul chanteuse Brenda Holloway. The album contains a faithful cover of "I'll Be There," but the influence of the J5 is felt throughout. "You've Come A Long Way Baby" obviously uses "The Love You Save" as a blueprint, while "Stop, Look and Listen" is based around the the main riff of "ABC." Far from being mere copies, though, these tracks are fantastic in their own right. Indeed, the Josie and Pussycats record is without a doubt one of the most enjoyable releases of the bubblegum era. The pre-fab genre was big on singles, of course, but bubblegum albums were often cluttered with filler. In contrast, the Pussycats' album is lean--a mere 10 tracks--but all are quite good. Track it down if you can. In the meantime, enjoy these:

"You've Come A Long Way Baby" - Josie & the Pussycats

"Stop, Look and Listen" - Josie & the Pussycats

A Go-Fidelity Halloween.

And now, a few terrifying tunes to complement your hellish Halloween experience.

First up is an enjoyably creepy Poppy Family song, "Where Evil Grows." That minor-keyed melody and disturbing subject matter should be just enough to make your skin crawl:

"Where Evil Grows" - the Poppy Family

Lavern Baker makes black magic sound downright appealing in this next track. The girl's got boogie in her bones:

"Voodoo Voodoo" - Lavern Baker

This is a zany Joe Meek production (weren't they all?) featuring fuzzy guitars and a multitude of graveyard sound effects. Like all great works of horror, this recording was followed up with a sequel, "Return of the Vampire."

"Night of the Vampire" - the Moontrekkers

Speaking of instrumentals, this rocked-up arrangement of "In the Hall of the Mountain King" is a true lost classic of the British Invasion - even the Beatles were fans. In fact, this band's horn section ended up on "Good Morning Good Morning." See if you recognize them:

"In the Hall of the Mountain King" - Sounds Incorporated

I'll leave you with a song that I consider one of the creepiest ever. Pat Hare's "I'm Gonna Murder My Baby" is so sonically disturbing that Robert Palmer (no, not that one) discussed its distortions in his essay "The Church of the Sonic Guitar." Lyrically, though, it's just as violent. We listen as Hare pleads his case, proclaiming that he's "gonna kill her tomorrow." The kicker? He soon went to jail for--you guessed it--murdering his baby.

"I'm Gonna Murder My Baby" - Pat Hare

Happy Halloween!

Scopitones!

Believe it or not, I had never heard of a Scopitone before today. As you can see from the picture above, a Scopitone is basically a primitive video jukebox. There are a number of excellent sites on the web dedicated to archiving Scopitone films, but the best for novices (like me) is probably Scopitones.com. They're doing a fantastic job unearthing and posting these early music videos. Here are two of my favorites so far:



(In a just world, the Tornados would be as famous as the Ventures.)



(Risque!)

Gankin' from the Godfather.

After the success of our last covers post, I figured we'd turn it into an occasional series. (BTW - if you've got suggestions, email me or leave a comment.) This week we are sharing a number of artists covering the Godfather of Soul himself, James Brown.

Just as we began with two covers of "Eleanor Rigby" last time, we're starting with two markedly different versions of JB's classic "I Don't Want Nobody." The first is by jazz guitarist Grant Green, whose laid back, muted version of the song pretty much exemplifies why he's a jazz-funk legend. In contrast, Randy California's version (from the aforementioned Kapt. Kopter & the (Fabulous) Twirlybirds) rocks hard. If Hendrix ever covered James Brown, I'm fairly certain it would come out something like this:

"I Don't Want Nobody" - Grant Green

"I Don't Want Nobody" - Randy California

Next up is the Blues Magoos' typically garage-y, blue eyed soulish take on "I'll Go Crazy." Structually, it's quite similar to JB's original. The prominence of the (Farfisa?) organ sets it apart, however, and the "you got to live" sections (with gang vocals) are particularly exuberant:

"I'll Go Crazy" - the Blues Magoos

The Kashmere Stage Band have certainly seen a revival of notoriety lately. Their material has finally been remastered and rereleased - deservedly so. Their version of "Super Bad" is brassy, fully orchestrated, but unrelentingly funky. Also, I love the organ solo near the end:

"Super Bad" - the Kashmere Stage Band

Gene Chandler's cover of "There Was a Time" is well known to Northern Soul fans and dare I say it, his amped-up version is even better than the original. Just try not to dance to this:

"There Was a Time" - Gene Chandler

And finally, we have Arthur Brown's manic version of "I've Got Money" (from 1968's brilliant--and vastly underrated--The Crazy World of Arthur Brown). Brown used to perform in a flaming helmet, but you don't need gimmicks to appreciate this:

"I've Got Money" - Arthur Brown

Enjoy and send me your suggestions for our next covers post!