Mort Garson - Electronic Hair Pieces

As ridiculous as this may sound, this is an electronic re-imagining of the Hair soundtrack by the same mastermind that brought us "Lucifer - Black Mass." For the most part it's another kitschy electronic artifact from the late sixties, but Walking In Space is a legitimately great track. And come on, that artwork is awesome!


Download "Electronic Hair Pieces"

More Eddie Harris/Melvin Jackson

This is a video of Eddie Harris performing "Listen Here" at Montreux in 1969. You can actually see him flip on the Echoplex at around 3:20 in the video. Just listen to the difference it makes in the texture of the song. The track goes from being a funky soul-jazz number to a spacy--even avant garde--excursion. Harris' bassist for the Montreux performance was longtime collaborator (and fellow electric jazz pioneer) Melvin Jackson. Jackson's Funky Skull album was thankfully reissued by Dusty Groove in 2007. If you enjoy Harris' work, you'll love this:

"Funky Skull, Pts. 1 & 2" - Melvin Jackson

"Dance of the Dervish" - Melvin Jackson

John Martyn

John Martyn was originally an English folkie active in the late 60s/early 70s scene that birthed Pentangle (bassist Danny Thompson was a lifelong collaborator) and Nick Drake (one of Martyn's best friends). At some point in the early 70s, however, Martyn discovered electronics and began experimenting with phase shifters, fuzz pedals and the Echoplex. Martyn's experimentation came to full fruition on 1973's Inside Out which combined his virtuosic acoustic guitar technique with cutting edge electronic innovations. The first track on that album ("Fine Lines") is a subtle, quiet beginning that embodies the record's seemingly idiosyncratic combination. Martyn's slurred vocal and acoustic guitar continue throughout the entire song, but an electrified guitar solo (at about 1:35) lets us know that this isn't exactly Pink Moon.

Martyn's experimentation with spacy electronics continued throughout the decade. He even collaborated with Lee "Scratch" Perry on the seminal "Big Muff." Martyn's interest in world music and electrified jazz is particularly evident on "Root Love" from Sunday's Child (1974), a track which (to my mind, anyway) shows the influence of Miles Davis' On the Corner album. Also, I absolutely adore this song's gritty guitar riff.

Sadly, Martyn died earlier this year. He will be missed. Take a listen:

"Fine Lines" - John Martyn

"Root Love" - John Martyn

Also, check out this video of Martyn performing "I'd Rather Be the Devil." Note his rhythmic use of the Echoplex:

Sunday Songs.

After Soul Sides featured Blossom Dearie's "Sunday Afternoon" and Mixtape Riot featured Margo Guryan's "Sunday Morning," I thought it might be fun to post a few other "Sunday songs."

"Sunday Date" - the Flee-Rekkers

Produced by Joe Meek, this song has all of his signature gimmicks: tremelo, treble-y guitars, cheap tape echo and wordless vocals. So good, it almost makes you forget that he murdered his landlady. (Incidentally, another of Joe Meek's groups, the Moontrekkers, recorded a track called "Sunday Sunset.")

"Black Sunday" - the Skatalites

I'm still trying to figure out which Black Sunday this song is referencing. Personally, I think the Skatalites were inspired by Italian director Mario Bava.

And because I think it's completely over-the-top and therefore strikingly different from Margo Guryan's recording, here's a cover of "Sunday Morning" by Spanky & Our Gang:

"Sunday Morning" - Spanky & Our Gang

Enjoy.

Slow Jam of the Moment

For some unknown reason, I've only recently discovered the work of electric saxophonist Eddie Harris. This is strange for a number of reasons, particularly my unhealthy obsession with delay and echo units (Harris used the Echoplex) and my interest in electrified, spacy jazz (a la Donald Byrd's Electric Byrd album). In any case, I've been lovin' me some Eddie Harris lately - especially this quiet, sensuous track from Is It In (1973):

"Space Commercial" - Eddie Harris

I love the delayed, (probably) Uni-Vibed guitar work and Harris' electronically treated solo. Supposedly the mechanism used for this song was built by Bob Moog, which should give you some idea of Harris' cred among the 1970s' electronic music community. Bonus points for the early drum machine.

Enjoy.

Funky Foundations.

Despite three major pop hits in two years, the Foundations were floundering by late 1969. Their final Top 10 hit ("In the Bad, Bad Old Days (Before You Loved Me)") had fallen down the charts and two subsequent releases had fallen largely on deaf ears. Fearing that their pop-soul fusion was becoming irrelevant, the group (a septet at this point) began to incorporate funkier, more contemporary sounds into their sets. In June of 1970, they released "I'm Gonna Be A Rich Man" b/w "In The Beginning," the latter track an instrumental incorporating funk drumming as well as a middle section featuring jazz flute and a harpsichord. Unfortunately, the single went nowhere and the intriguing b-side remained mostly unheard. The group was all by defunct within a few months.

Just before their breakup, however, the Foundations recorded a track entitled "Where the Fire Burns" that remained unreleased until their material was reissued on CD in the 1990s. Like "In the Beginning," its relatively obscurity is unfortunate, given that the song's cinematic jazz-funk looks forward to the blaxploitation soundtracks then still a few years in the future. Indeed, it's hard to believe that this track was recorded by the same group who brought "Build Me Up Buttercup" to the top of the U.S. charts only a year earlier. Take a listen:

"In the Beginning" - the Foundations

"Where the Fire Burns" - the Foundations

(Much of the information from this post can be found in Roger Dopson's liner notes to the Foundations' Baby, Now That I've Found You release on Sequel Records.)

Local Atomic-Age Paranoia.

Here's a slightly morbid bit of musical trivia from Polk County's past:

"Fallout Shelter" - Billy Chambers

(Incidentally, "Fallout Shelter" was recorded with a chorus of backup singers from my undergraduate alma mater, Florida Southern College.)

And while we're at it:

"This Cold War With You" - Floyd Tillmann

Enjoy.

2008 Playist

the rules I've imposed on myself are as follow: I can only pick one song from each record I've listened to or enjoyed from 2008. some records only have one track that I liked, so those were easy to pick. others were harder (especially from records that worked together as a full album, such as microcastle). anyway, I'm sorry for the lack of download links, but if you come across these tracks, they're all pretty good (even the vampire weekend song!).


Chopped N Skrewed (Feat. Ludacris) by T-Pain (Thr33 Ringz)

Kim & Jessie by M83 (Saturdays = Youth)

Time To Pretend by MGMT (Oracular Spectacular)

Things I Did When I Was Dead by No Age (Nouns)

Water Curses by Animal Collective (Water Curses)

A Milli by Lil Wayne (Tha Carter III)

Live-Long by Abe Vigoda (Skeleton)

Sabali by Amadou & Mariam (Welcome To Mali)

My Life (Feat. Lil Wayne) by The Game (L.A.X.)

Recent Bedroom by Atlas Sound (Let The Blind Lead Those Who Can See But Cannot Feel)

All The Years by Beach House (Devotion)

I'll Be Glad by Bonnie 'Prince' Billy (Lie Down In The Light)

Rode Null by Hauschka (Ferndorf)

The City In The Sea by Crystal Stilts (Alight Of Night)

Strange Overtones by David Byrne and Brian Eno (Everything That Happens Will Happen Today)

I Decided by Solange (Sol-Angel & The Hadley St. Dreams)

Gobbledigook by Sigur Rós (Me› su› í eyrum vi› spilum end)

Never Stops by Deerhunter (Microcastle)

Old Old Fashioned by Frightened Rabbit (The Midnight Organ Fight)

Oliver James by Fleet Foxes (Fleet Foxes)

Waves of Rye by Department Of Eagles (In Ear Park)

Weekend by The Sea And Cake (Car Alarm)

Wrestlers by Hot Chip (Made In the Dark)

Lights Out by Santogold (Santogold)

I’m Watching You by Jay Reatard (Matador Singles ‘08)

Another Day by Times New Viking (Rip it Off)

Tane Mahuta by The Ruby Suns (Sea Lion)

Black Rice by Women (Women)

A-Punk by Vampire Weekend (Vampire Weekend)

The Snow Leopard by Shearwater (Rook)